This week, Good Film Hunting sends up a flare for Send Help (2026), Sam Raimi’s desert-island descent into survival, resentment, and gloriously twisted bad vibes. Starring Rachel McAdams and Dylan O’Brien,, the film strands an overlooked employee and her insufferable boss as the only survivors of a plane crash, turning a fight to stay alive into a darkly comedic war of wills. Was Send Help the rescue we needed, or did Sam Raimi stretch this concept a bit too far?
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Release Details
- Title: Send Help
- Year: 2026
- Director: Sam Raimi
- Writer(s): Damian Shannon, Mark Swift
- Top Billed Stars: Rachel McAdams, Dylan O’Brien, Dennis Haysbert
- Running Time: 113 minutes
- Country of Origin: United States
- Official Release Date(s): Premiered January 21, 2026 at the TCL Chinese Theatre in Los Angeles; released in U.S. theaters January 30, 2026; released on VOD March 24, 2026; physical media scheduled for April 21, 2026.
Other Notable Projects
Sam Raimi matters here because The Evil Dead, Drag Me to Hell, and the original Spider-Man trilogy all show his gift for mixing sincerity, velocity, and grotesque humor. Send Help sounds like another variation on that same instinct, just stripped down to a survival setup and interpersonal warfare.
Damian Shannon and Mark Swift are best known in genre circles for writing Freddy vs. Jason, which is relevant because they have experience building stories around antagonistic energy, tonal irreverence, and horror setups that are meant to entertain as much as disturb. That pedigree makes them a natural fit for something this sharp-elbowed.
For Rachel McAdams, this feels like a fun pivot point against more familiar work like Mean Girls, Spotlight, and Doctor Strange. The conversation angle here is that Send Help may be giving her a chance to weaponize charm in a much nastier way than audiences usually get from her.
Dylan O’Brien brings a different kind of baggage to the movie. He is often associated with more sympathetic or scrappier roles in projects like The Maze Runner series, so putting him into the “overbearing boss stranded in paradise” slot gives the film a built-in tension between recognizability and irritation.
Dennis Haysbert adds instant authority because of work in films and series like Far From Heaven, 24, and Heat. Even when he is not the center of a film, he tends to bring gravitas fast, which can stabilize a movie that otherwise wants to get weird.